Digital Representation of a Conceptual Leather Puppet Character using Holographic Prism Glass
DOI:
https://doi.org/10.35806/ijoced.v2i1.102Keywords:
holographic prism glass, Indonesian leather puppet, leather puppet character, leather puppet performanceAbstract
Leather shadow puppet performances are slowly becoming isolated. They are no longer attracting the young generation towards its long duration and language complexity, inclusive of its incomprehensible storytelling and characters. To address this gap, this research utilized a descriptive qualitative method and mind map to transcribe and describe key concepts of both redesigning and avatar creation of leather shadow puppet character. The purpose of this study was to explore an alternative method in representing leather puppet performance by implementing a holographic prism glass technique. The digital representation of a leather puppet through a holographic prism glass medium is a manifestation of appreciating Indonesian cultural artwork in the modern era. The contribution of this study is to provide a more detailed explanation of a new manner in exploring and preserving the narrative and figure of the cultural heritage.
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Triantafyllakos, G., Palaigeorgiou, G., & Tsoukalas, I. A. (2010). Fictional characters in participatory design sessions: Introducing the “design alter egos” technique. Interacting with Computers, 22(3), 165–175. https://doi.org/10.1016/j.intcom.2009.12.003.
van Groenendael, V. M. C. (1986). The dalang behind the wayang: The role of the Surakarta and the Yogyakarta dalang in Indonesia
Campbell, J. (2008). The hero with a thousand faces. Novato, CA: New World Library.
Chion, M. (1994). Audio-vision: Sound on screen. New York: Columbia University Press. http://cup.columbia.edu/book/audio-vision-sound-on-screen/9780231185899.
Crossley, K. (2019). Character design from the ground up. Lewes: Illex.
Damasio, A. R. (2000). The feeling of what happens: Body and emotion in the making of consciousness. London: Vintage.
Ducheneaut, N., Don Wen, M. H., Yee, N., & Wadley, G. (2009). Body and mind: A study of avatar personalization in three virtual worlds. Conference on Human Factors in Computing Systems - Proceedings, 1151–1160. https://doi.org/10.1145/1518701.1518877.
Gabor, D. (1948). A new microscopic principle. Nature, 161(4098), 777–778. https://doi.org/10.1038/161777a0.
Gaggioli, A., Mantovani, F., Castelnuovo, G., Wiederhold, B., & Riva, G. (2003). Avatars in clinical psychology: A framework for the clinical use of virtual humans. Cyberpsychology and Behavior, 6(2), 117–125. https://doi.org/10.1089/109493103321640301.
Hawkins, J. E. (2016). Qualitative descriptive study of the experiences of nurse educators in developing and implementing concurrent enrollment ADN-BSN programs (Doctoral Dissertation). Nova Southeastern University.
Ismurdyahwati, I. (2013). Shadow puppets performance of Yogyakarta through its visual language. Art & Des, 4(1), 28–34. https://doi.org/10.5614/itbj.vad.2013.4.1.4.
Ivanov, S. A., Angervaks, A. E., Van Bac, D., Nikonorov, N. V., & Okun’, R. A. (2017). Holographic prism based on photo-thermo-refractive glass. Optical Measurement Systems for Industrial Inspection X, 10329, 103292Z. https://doi.org/10.1117/12.2270186.
Lee, Y. Y., Lee, J. H., Ahmed, B., Son, M. G., & Lee, K. H. (2019). A new projection-based exhibition system for a museum. Journal on Computing and Cultural Heritage, 12(2), 1–17. https://doi.org/10.1145/3275522.
Lim, Y. S. (2014). Wayang kulit and its influence on modern entertainment. The Asian Conference on Media, Communication & Film 2017 Official Conference Proceedings.
Mandal, H. K. (2014). Brainstorming approach and mind mapping in synergy creating activity. Global Journal of Finance and Management, 6(4), 333–338.
McQuiggan, S. W., & Lester, J. C. (2007). Modeling and evaluating empathy in embodied companion agents. International Journal of Human Computer Studies, 65(4), 348–360. https://doi.org/10.1016/j.ijhcs.2006.11.015.
Monaghan, D. S., Hennelly, B., Kelly, D., McDonald, J., Naughton, T., Sheridan, J., Li, W., Loomis, N., Hu, Q., & Davis, C. (2016). Interactive holograms using pepper ghost pyramid. International Journal for Scientific Research and Development, 4(1), 1221–1224.
Nam, Y. H., & Park, J. Y. (2009). The understanding of avatar design: Various types and styles of avatars and the design. Illustration Forum, 18(1), 91–102.
Nassaji, H. (2015). Qualitative and descriptive research: Data type versus data analysis. Language Teaching Research, 19(2), 129–132. https://doi.org/10.1177/1362168815572747.
Poon, T. C., & Liu, J. P. (2014). Introduction to modern digital holography (with Matlab). Cambridge, UK: University Printing House.
Prayoga, D. S. (2018). The role of the puppeteer in wayang kulit performing art. Journal of Modern Education Review, 8(9), 715–721. https://doi.org/10.15341/jmer(2155-7993)/09.08.2018/009.
Ramli, W. N. R. W., & Lugiman, F. A. (2012). The contribution of shadow puppet’s show through engaging social communication in modern society. Procedia - Social and Behavioral Sciences, 35, 353–360. https://doi.org/10.1016/j.sbspro.2012.02.098.
Triantafyllakos, G., Palaigeorgiou, G., & Tsoukalas, I. A. (2010). Fictional characters in participatory design sessions: Introducing the “design alter egos” technique. Interacting with Computers, 22(3), 165–175. https://doi.org/10.1016/j.intcom.2009.12.003.
van Groenendael, V. M. C. (1986). The dalang behind the wayang: The role of the Surakarta and the Yogyakarta dalang in Indonesia
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2020-04-03
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How to Cite
Digital Representation of a Conceptual Leather Puppet Character using Holographic Prism Glass (M. Wahyuni, M. A. Ayu, R. Anhas, & C. H. Pangaribuan , Trans.). (2020). Indonesian Journal of Computing, Engineering, and Design (IJoCED), 2(1), 38-48. https://doi.org/10.35806/ijoced.v2i1.102
